

DocumentaryDrama
A metacinematic reflection on the nature of representation and the ongoing drug war in Mexico, NicolĂĄs Peredaâs Flora revisits locations and scenes from the mainstream 2010 narco-comedy El Infierno, exploring the paradoxes of depicting narco-trafficking on filmâits tendency both to romanticize and to obscure. To screen is both to project and to conceal.
Writer
NicolĂĄs Pereda
Language
Spanish
Country
Mexico



