
Theoretical experiment that uses the technique of picto-cinematography, win which āthe search for the temporal objective duration of paintingā stands out; this comes to us via its real measurements on a 35mm film. This technique allows us to get āa new vision of a pictorial workā within a temporal duration defined by cinematographic means. In this experiment, the same image of the painting remains in emulsion on the optical soundtrack, thus generating a sound. ā AP
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