
Gordon Willis
Camera
From Wikipedia, the free encyclopedia Gordon Hugh Willis, Jr., ASC (May 28, 1931 β May 18, 2014) was an American cinematographer. He is best known for his work on Francis Ford Coppola's The Godfather series as well as Woody Allen's Annie Hall and Manhattan. Fellow cinematographer William Fraker called Willis's work a "milestone in visual storytelling", while one critic suggested that Willis "defined the cinematic look of the 1970s: sophisticated compositions in which bolts of light and black put the decade's moral ambiguities into stark relief". When the International Cinematographers Guild conducted a survey in 2003, they placed Willis among the ten most influential cinematographers in history.
Known for
2012An Amazing Time: A Conversation About End of the Road
Self
2011Woody Allen: A Documentary
Self
2008Emulsional Rescue: Revealing 'The Godfather'
Self
2007Fog City Mavericks
Self
2006Telling the Truth About Lies: The Making of "All the President's Men"
Self
2006Film Noir: Bringing Darkness to Light
Self
2003Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood
Self
1992Visions of Light
Self
1980To Woody Allen from Europe with Love
Himself
1971'Klute' in New York
Self
